February 3rd, 1959

I remember hearing the news of the plane crash that took The Big Bopper, Richie Valens, and Buddy Holly from us. I was nine years old and listening to Rock & Roll on a daily basis. We had “Chantilly Lace” by the Big Bopper and “Come On Let’s Go” by Richie Valens on 45’s. However, we had no records by Buddy Holly & the Crickets in our modest collection. Come to think of it, I would not get any Buddy Holly songs in my collection until the early 70’s when I bought the Decca release, “Buddy Holly, A Rock & Roll Collection.” At the time of the accident, I had no idea that Dion & the Belmonts were even on the tour. It could have been mentioned on some newscast, but I don’t recall it.

I wouldn’t become aware of just how significant of a contribution Buddy Holly would leave on American popular music until the British Invasion. I knew most of his hits; but it didn’t occur to me that Holly was as important to the history Rock & Roll as he would turn out to be. I had no idea how good Richie Valens was either, not to mention the talent of one Jiles Perry “J.P.” Richardson aka The Big Bopper. All of this would change as I grew older and wiser.
Don McLean would call February 3rd, 1959, “the day the music died.” I’m not going to dispute that here. In fact, I just might add to the mystique of this fateful day when these three stars fell from the sky outside of Mason City Iowa. I will say this, Charles Hardin Holley, may be the most underrated Rock & Roll performer of all time. Buddy Holly had talent. Buddy Holly could play the guitar and he could write songs and better yet, he was starting to become quite a producer. I often wonder what the Rock & Roll music scene would look like today had Holly not lost his life that night. Just how far would he have gone in the business. I wonder if the events following his death would have happened in the way they did, especially the British invasion. Many British acts, including The Beatles, Herman’s Hermits, and The Rolling Stones were heavily influenced by Buddy’s music.

So I guess I could go on and on about the great loss on February 3rd, 1959. Sufficient to say, the music world lost a potential rising star in Valens, a fine entertainer in the Big Bopper, and a major Rock & Roller in Buddy Holly. Let their music live on, and on, and on.

I envite you all to check out The Mystery Train Wreck; there's a link in the blogs I follow section to the right of this page. Ed has assembled some nice videos of these stars.

Way to go Chief!

The Day the Music Lived

Back in late 1986 I received a package from Columbia House with a CD that I was eagerly awaiting. I hurriedly put the disc into my CD player and was stunned. I immediately called my friend Bob and shouted out, 'listen to this, Buddy Holly is alive and singing in my living room.'

The disc was "Buddy Holly, From the Original Master Tapes on MCA. At the time I had not heard a lot of music on CD. And while a lot of people were complaining about the coldness of digital reproduction, I was taking a different approach. This technology was allowing me to hear things I'd never heard before on vinyl records. This would continue over time with other CDs that I have in my collection; some of them I will mention from time to time. And while I know there has been another Buddy Holly CD set that actually improved on the sound quality of this CD, I have a warm spot in my heart for this disc.

So, as we approach the 50th anniversary of the death of Buddy Holly, Richie Valens, and The Big Bopper, I like to remember that day the music lived in my living room.

I Didn't Start the Fire Pt 1

I could call this: "Who Can my Wife Blame For All of These Records, CD etc"

As I mentioned in the beginning of this thing, when I was a kid I listened to the radio more than anything else. The radio has been a mighty good friend of mine all my life. When Rock & Roll was still in the growing stage in the late 50’s, the radio stations played hits from Rock, Pop, Country, Folk, Early R&B, and Novelty records. So I got to hear it all. This type of formatting continued into the early 60’s when, at least in St. Louis, stations began to go in separate directions such asTop 40, Country, R&B, and Easy Listening. Then in 1964, things really changed with the British Invasion, the rise of Motown, the Folk music era, and other musical trends.

The funny thing for me was that by listening to The Beatles, The Beach Boys and other big artists of the mid 60’s, my desire to go back to the beginning of Rock & Roll and pick up on the sounds that I missed when this music was new, became more important. For instance, hearing The Beatles singing those Carl Perkins’ songs that I’d not heard back in the day of “Blue Suede Shoes,” would cause me to want to hear those songs performed by Perkins himself. The same was true with The Beatles covers of Larry Williams’ “Slow Down,” “Dizzy Miss Lizzy,” and “Bad Boy,” along with Buddy Holly’s “Words of Love.” These songs and others, made me hungry for more of the lesser known early songs from the legends of Rock & Roll, and those artists and groups who were not as well known.

In the beginning of the decade of the 70’s, several events would change the way I looked at the Rock & Roll era for ever. KADI, An FM radio station here in St. Louis, hired a guy from New York City whose name was Larry Miller. Miller began to play those old 45’s from the 50’s and early 60’s during his program. After a few weeks, this show evolved into what would become the Sunday Night Oldies Show. Larry Miller played the songs I was longing to hear for years. He played those Carl Perkins songs I’d not heard along with Buddy Holly, Larry Williams, Little Richard, Elvis, and Dion & the Belmonts, to name a few. Miller also introduced the local audience to some vocal group music that had not hit the airwaves here in St. Louis back in the 50’s.

These lesser known songs really wet my whistle and I started to have a desire to acquire them. So began the great hunt for the old music. I’d rummage through the “cut outs” section in any store that had one. I would buy up LPs that had one or two songs I knew, and a bunch of others I did not recognize by their titles. I’d take these records home and play them. To my surprise and delight, I’d find that Larry Miller was playing a lot of these songs on his Sunday Night Oldies Show.

The desire to search the bargain bins in stores such as E.J. Korvette, Arlands, Viscount Records, and later Camelot Music and Peaches would stay with me to this day. If there was a rack of LPs for $2.00 or less, I’d thumb through them, hoping to strike gold.

So I guess Larry Miller is partially to blame for the state of “musical” mind that I am in today.

There are other people, both living and deceased, who I hold personally responsible for fueling the flames of my continuing hunger for great old Rock & Roll records. I will mention these people as I proceed with these pages. So stay tuned to this blog and see if your name shows up on list. You never know.